Tom & Ella’s Joint 18th and 50th Birthday Party – Event Photography in Chesterfield & Ashford-in-the-Water
Party photography and just generally event photography can be daunting, especially when you're entering a venue you've never seen before.
There are so many different ways it could go wrong or against your own plan. Pubs are often difficult as mostly are lit with incandescent, low wattage bulbs, if they don't have that they have these ridiculously high ceilings you've got no shot of bouncing a flash off of. What I actually experienced was better than that but the incandescent bulbs comment still stands.
The party was held at a gorgeous little pub in Ashford-in-the-water called "The Bulls Head". For anyone that doesn't know, Ashford-in-the-water is in Bakewell, Chesterfield and for those of you that hate driving at night, avoid it like the plague. There was 1 streetlight every 100 meters, high-beams all the way home pretty much. The drive home aside, the pub its self was absolutely stunning. A really well preserved example of a 17th century period old-English style village pub, that which you would see on the likes of Emmerdale or Coronation Street.
 
Of course I wasn't actually there to photograph or wax lyrically about the pub, I was there in aid of celebrating the birthday's of Tom & Ella. Tom's fantastic wife, Emma had gone to such incredible lengths to invite all of Tom's & Ella's close friends and family, organised myself as the photographer, a DJ inside a marquee complete with giant numbers AND a fireworks display to top it off at the end of the night. Admittedly I did very nearly ruin the surprise due to me getting over-excited when introducing myself HOWEVER I'm not sure either Tom or Ella heard so it was a very close call.
Places & events like this really lend themselves to the candid and film style of photography I adopt. I prefer to just float around and capture moments as they happen. There is no truer smile, than the one someone does, belly laughing at something their friend may have said.
You don't need to be in on the joke to be able to photo someone's laugh, you just need to be around to capture it happening.
That's what I aim for, not necessarily be everywhere at once, but be somewhere once with your head on a swivel. Being a people watcher and generally a nosy bugger helps a lot of the time.
Everyone wants to talk about how well they did & pat themselves on the back but shooting events isn't all sunshine and rainbows.
The biggest problem with Fuji gear is that they lean on the "vintage" element a bit too much and the menus are just absolute chaos. There's only so many hotkeys I can set up before I've ran out of hot keys. the fact of the matter is as well, the EF-42 speedlight is absolutely rubbish in pitch black. It has no IR beam for focus assist, it can't do a quick modelling light, and due to the size of the body and my ridiculously large paws for hands, I cover over the AF Beam assist from the body of the X-T3. The reason I am telling you this, is that part of the party was set out-doors (hence the fireworks) and I foolishly left my softbox attachment at home.
So what do we do? We lean into the hard flash photography style of the early 2000s when everyone had a polaroid camera or a film camera and flash was set to 100% power all the time.
I would love to claim credit for the 3rd picture being "artistically" out of focus to give the impression of a vintage early-2000s film camera aesthetic, and if I did claim credit, it simply wouldn't be true. It was genuinely the result of a missed focus and a spur of the moment flash power change. It stayed in my set because I find there something to be quite charming about it. Lord knows I tried to resurrect the RAW file but it was to no avail.
Lets talk about the gear I used
The gear for this shoot was as follows -
Fujifilm X-T3
Fujifilm EF-42 Speedlight
Fujifilm VG-XT3 Battery Grip
Sigma 56mm f1.4
Fujifilm 35mm f2.0 XC
Fujifilm 18-55mm f2.8-4
Misc Batteries from K & F Concept
So funny story about my gear that I will get into another time, all of it is second hand. Mechanically & digitally speaking its perfect and strenuously tested but all of it has been acquired via CeX or Ebay pretty much with some Amazon thrown in for things like my LED panels, Batteries & straps. The 35mm was probably one of my favorite lenses, in this setting. It was a tight space in and around the bar area, there were too many bodies which meant flash was either going to slam someone in the face or fire off the ceiling and end up being one of those moments where the music comes to a scratching halt, and everyone turns around and looks at you.
Enter the Fujifilm XC35mm f2
This little powerhouse of a lens performed exceptionally well - and it literally weighs about the same as a medium avocado that’s still questioning its ripeness. The images were sharp, focus was fast and didn't need coaxing even on a body that is 7 years old (this month as well)... crazy. The f2 fixed aperture meant I was able to turn off the flash and use what ambient light I had around me, plus some post shoot editing and I thin the results from it are usable, sharp and capture the general feel of the time in that moment.
Luckily I'd been told when the fireworks were, so I set-up my tripod ready.
Thing is with planned events like that, the client asks "Can you capture the fireworks" but what they are also asking is "Can you also capture reactions and feelings". Fireworks thankfully are fairly consistent and predictable, Setup camera, get some horizontals, get some verticals, set yourself a nice infinity focus & long shutter and let it rip.
Once you've gotten like 20 or 30 shots enough for you to cull through later, then set it back to flash settings, spin around and capture the crowd. You know for a fact you've got a 10 minute display tops, so you've got 5 mins of shooting fireworks and then 5 minutes of capturing the crowd. Don't be afraid to lose a few of the fireworks close to the end to capture people's genuine responses to some of the bigger. Just be ready to spin back and grab the "finale" firework display which in my instance was the 6 rocket display you can see in the gold photo.
All in all, would I recommend you run out and book your first party photography gig tomorrow?
God no. That just wouldn't be fair to you nor your clients. Shooting parties & events is 60/40 personality and gear. Corporate events are slightly different as there is a level of expectation to the fact you're going to be there taking photos, but private parties? There tends to be no expectation of a photographer strapped to the nines with camera gear and that's instantly where the friction starts and why it's so important for the other 60%.
Parties are all about personality. I was as sober as a judge, but they weren't. After a few beers people become receptive and their defenses are down. They realize you're not there to make them look stupid, they are amongst family & friends and the last thing you want to do is to make them feel embarrassed. You're hired to enhance the event not to become the main event. Never ever detract from the reason you're there - in my case Tom & Ella. It becomes part of the script to get people to take photos with you as well - "want to pose for one so the birthday boy and girl can remember you later?" or use humor - "Pose for a photo? I don't charge and I don't do keyrings"
This is such a mid-90s to late-2000s reference of when folk used to attend events or even just in the streets and take photos of you and force you to buy a keyring - 90% of the time someone bought a keyring.
10 Years experience I have at the moment doing this sort of thing, you develop a script and a way to read people who clearly just don't want to be bothered, and you know what? it's completely okay they don't want a photo.
Final Thoughts
Tom & Ella’s joint birthday was everything you’d want from a family celebration — laughter, love, and plenty of surprises. I’m grateful to have been trusted to capture it all, and even more grateful for how welcoming everyone was.
Looking for an Event Photographer in Chesterfield?
If you’re planning a party, wedding, or special celebration in Chesterfield, Derbyshire, or the surrounding villages, I’d love to capture it for you. My approach is always a mix of natural candid photography with just enough posed shots to cover the essentials.
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